Charlie Lang is a simple, kindhearted New York City cop. When he realizes he has no money to tip waitress Yvonne Biasi, Lang offers her half the winnings of his lottery ticket. Amazingly, the ticket happens to be a winner, in the sum of $4 million. True to his word, Lang proceeds to share the prize money with Biasi, which infuriates his greedy wife, Muriel. Not content with the arrangement, Muriel begins scheming to take all the money.
Unfortunately the movie It Could Happen to You is not yet available on Disney Plus.
| Sound | Joe Mulherin | Original Music Composer |
| Directing | Andrew Bergman | Director |
| Writing | Jane Anderson | Screenplay |
| Production | Mike Lobell | Producer |
| Editing | Barry Malkin | Editor |
| Sound | Carter Burwell | Original Music Composer |
| Camera | Caleb Deschanel | Director of Photography |
| Costume & Make-Up | Julie Weiss | Costume Design |
| Art | Maria Nay | Art Department Coordinator |
| Camera | Ted Churchill | Steadicam Operator |
| Sound | Warren Shaw | Assistant Sound Editor |
| Production | Craig Baumgarten | Executive Producer |
| Directing | Michael DeCasper | Second Assistant Director |
| Art | Kathleen Dolan | Assistant Property Master |
| Production | Gary Adelson | Executive Producer |
| Production | Joseph Hartwick | Executive Producer |
| Art | Laura Lambert | Art Department Assistant |
| Art | Gerald DeTitta | Leadman |
| Sound | Thomas S. Drescher | Music Editor |
| Sound | Paul P. Soucek | Sound Editor |
| Art | Bill Groom | Production Design |
| Directing | Henry J. Bronchtein | First Assistant Director |
| Art | Ann Miller | Property Master |
| Production | John S. Lyons | Casting |
| Art | George DeTitta Jr. | Set Decoration |
| Production | Alexis Alexanian | Production Coordinator |
| Camera | Henry Lynk | Camera Operator |
| Camera | Scott Rathner | First Assistant Camera |
| Sound | Michael Kirchberger | Supervising Sound Editor |
| Sound | Todd Kasow | Music Editor |
| Production | Joseph Hartwick | Unit Production Manager |
| Art | Dennis Bradford | Art Direction |
| Camera | James R. Belletier | Second Assistant Camera |
| Art | Nicholas Lundy | Assistant Art Director |
| Sound | Bitty O'Sullivan-Smith | Dialogue Editor |
| Sound | Eliza Paley | Foley Editor |
| Lighting | Greg Quinlan | Best Boy Electric |
| Costume & Make-Up | Timothy Alberts | Costumer |
| Crew | John Patrick McLaughlin | Stunts |
| Sound | Gary Alper | Production Sound Mixer |
| Sound | Marc-Jon Sullivan | Boom Operator |
| Crew | Jim Lovelett | Stunts |
| Sound | Laura Civiello | Dialogue Editor |
| Costume & Make-Up | Lizbeth Williamson | Makeup Artist |
| Crew | Don Hewitt Sr. | Stunts |
| Costume & Make-Up | Suzanne Schwarzer | Assistant Costume Designer |
| Crew | Peter Bucossi | Stunts |
| Crew | Tim Gallin | Stunts |
| Sound | Michael Schmidt | Sound Recordist |
| Crew | John Carrafa | Choreographer |
| Art | Martin Bernstein | Construction Coordinator |
| Crew | Michael Russo | Stunts |
| Sound | Dan Korintus | Dialogue Editor |
| Crew | Jeff Habberstad | Stunt Coordinator |
| Editing | Sam Adelman | First Assistant Editor |
| Sound | Marko Costanzo | Foley Artist |
| Camera | Patrick McGrath | Dolly Grip |
| Art | Robin F. Samson | Location Scout |
| Sound | Peter Afterman | Music Supervisor |
| Costume & Make-Up | Alan D'Angerio | Hairstylist |
| Production | Diane L. Langone | Post Production Accountant |
| Production | Christine Sheaks | Casting Associate |
| Crew | Thomas Reilly | Transportation Captain |
| Crew | Jeff Ward | Stunts |
| Production | Drew Dillard | Assistant Location Manager |
| Production | Judie Fixler | Extras Casting |
| Sound | Sonny Kompanek | Orchestrator |
| Crew | Deborah Habberstad | Stunts |
| Crew | Suzanne Klein | Stunts |
| Crew | Steven Arvanites | Stunts |
| Crew | Alex Stevens | Stunts |
| Camera | Mike Miller | Key Grip |
| Production | Mara Hade Connolly | Assistant Accountant |
| Crew | Betsy Sokolow-Sherman | Unit Publicist |
| Production | Betty Chin | Assistant Production Coordinator |
| Sound | Lee Dichter | Sound Re-Recording Mixer |
| Production | Todd M. Thaler | Extras Casting |
| Crew | Jeff Levine | Actor's Assistant |
| Crew | John Cenatiempo | Stunts |
| Sound | Jane McCulley | ADR Editor |
| Camera | Thomas Jirgal | Best Boy Grip |
| Crew | Bill Traynor | Special Effects |
| Sound | Bruce Pross | Foley Supervisor |
| Lighting | Richard Quinlan | Chief Lighting Technician |
| Directing | Robin Squibb | Script Supervisor |
| Directing | Julie A. Bloom | Second Second Assistant Director |
| Sound | Tony Martinez | ADR Editor |
| Sound | Michael W. Mitchell | Apprentice Sound Editor |
| Crew | Al Griswold | Special Effects |
| Camera | Myles Aronowitz | Still Photographer |
| Editing | David Orr | Color Timer |
| Sound | Jeffrey Pollack | Music Consultant |
| Crew | Manny Siverio | Stunts |
| Sound | Frank Kern | Foley Editor |
| Sound | Michael J. Wechsler | Apprentice Sound Editor |
| Production | Peter Lombardi | Production Accountant |
| Crew | Gary Cerveny | Stunts |
| Crew | Norman Douglass | Stunts |
| Production | Pamela Thur | Location Manager |
| Crew | Jeffrey H. Kaufman | Stunts |
| Crew | Paul Sklar | Stunts |
| Crew | Gary Tacon | Stunts |
| Crew | Mike Lisenco | Stunts |
| Costume & Make-Up | Francesca Paris | Hairstylist |
| Crew | Paul A. Levin | Post Production Supervisor |
| Art | Donald Caruthers | Storyboard Artist |
| Sound | Gary Alper | Sound Mixer |
| Lighting | Richard Quinlan | Gaffer |
| Camera | Kurt E. Soderling | Aerial Camera |
| Production | David Diamond | Casting Associate |
| Costume & Make-Up | Kevin P. Faherty | Costume Supervisor |
| Costume & Make-Up | Melissa Stanton | Costume Supervisor |
| Production | Douglas Tirola | Location Manager |
| Art | Nina Saxon | Title Designer |
