Special Agent Strahm is dead, and Detective Hoffman has emerged as the unchallenged successor to Jigsaw's legacy. However, when the FBI draws closer to Hoffman, he is forced to set a game into motion, and Jigsaw's grand scheme is finally understood.
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Production | James Wan | Executive Producer |
Production | Leigh Whannell | Executive Producer |
Production | Mark Burg | Producer |
Production | Gregg Hoffman | Producer |
Production | Oren Koules | Producer |
Sound | Charlie Clouser | Original Music Composer |
Camera | David A. Armstrong | Director of Photography |
Directing | Kevin Greutert | Director |
Production | Stephanie Gorin | Casting |
Sound | Mark Gingras | Supervising Sound Editor |
Writing | Patrick Melton | Screenplay |
Writing | Marcus Dunstan | Screenplay |
Production | Daniel J. Heffner | Executive Producer |
Production | Stacey Testro | Executive Producer |
Production | Peter Block | Executive Producer |
Production | Jason Constantine | Executive Producer |
Costume & Make-Up | Alex Kavanagh | Costume Design |
Costume & Make-Up | Colin Penman | Key Makeup Artist |
Sound | John Laing | Supervising Sound Editor |
Sound | Jonathan McHugh | Music Supervisor |
Directing | Steve Webb | First Assistant Director |
Camera | Brian Gedge | Steadicam Operator |
Editing | Andrew Coutts | Editor |
Art | Anthony Ianni | Production Design |
Sound | Paul Intson | Music Editor |
Sound | Tom Bjelic | Sound Designer |
Visual Effects | Jon Campfens | Visual Effects Supervisor |
Visual Effects | Peter Denomme | Visual Effects Producer |
Camera | Steve Wilkie | Still Photographer |
Lighting | Robert McRae | Gaffer |
Sound | Steve Baine | Foley |
Art | Liesl Deslauriers | Set Decoration |
Art | Elis Y. Lam | Art Direction |
Sound | Allan Fung | Supervising Sound Editor |
Directing | Elizabeth Tremblay | Script Supervisor |
Sound | Clive Turner | Sound Effects Editor |
Sound | Andrew Tay | Sound Re-Recording Mixer |
Art | James R. Murray | Property Master |
Sound | Keith Elliott | Sound Re-Recording Mixer |
Camera | Tony Guerin | Camera Operator |
Sound | Mark Zsifkovits | Sound Re-Recording Mixer |
Editing | Peter Armstrong | Digital Intermediate |
Costume & Make-Up | François Dagenais | Prosthetic Designer |
Costume & Make-Up | Ciara Brennan | Assistant Costume Designer |
Editing | Robert Doyle | First Assistant Editor |
Costume & Make-Up | Stephanie Ingram | Key Hair Stylist |
Production | Kaleigh Kavanagh | Associate Producer |
Visual Effects | Rob Sanderson | Special Effects Supervisor |
Production | Kym Crepin | Production Manager |
Visual Effects | Beau Parsons | Visual Effects Coordinator |
Camera | Monty Montgomerie | Key Grip |
Lighting | Doug Reid | Best Boy Electric |
Sound | Jonathan Platt | Music Supervisor |
Sound | Dale Lennon | Dialogue Editor |
Camera | Patrick King | Dolly Grip |
Sound | Jonathan Scott Miller | Music Supervisor |
Editing | Tom Mayclim | Digital Intermediate |
Lighting | Mongo Andrews | Rigging Grip |
Art | Alan Letts | Construction Coordinator |
Editing | Lee Hughes | Digital Intermediate |
Editing | Motassem Younes | Digital Intermediate |
Lighting | Tim Lovell | Rigging Gaffer |
Editing | Gary Brown | Digital Intermediate |
Sound | Sean Paul Armstrong | Boom Operator |
Camera | Angel Gonzalez | Camera Operator |
Camera | Gary Bower | Dolly Grip |
Lighting | Nigel Draper | Electrician |
Lighting | Steve Ferrier | Electrician |
Editing | Trevor Pickard | Digital Intermediate |
Production | Troy Begnaud | Co-Producer |