Special Agent Strahm is dead, and Detective Hoffman has emerged as the unchallenged successor to Jigsaw's legacy. However, when the FBI draws closer to Hoffman, he is forced to set a game into motion, and Jigsaw's grand scheme is finally understood.
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| Production | James Wan | Executive Producer |
| Production | Leigh Whannell | Executive Producer |
| Production | Mark Burg | Producer |
| Production | Gregg Hoffman | Producer |
| Production | Oren Koules | Producer |
| Sound | Charlie Clouser | Original Music Composer |
| Camera | David A. Armstrong | Director of Photography |
| Directing | Kevin Greutert | Director |
| Production | Stephanie Gorin | Casting |
| Sound | Mark Gingras | Supervising Sound Editor |
| Writing | Patrick Melton | Screenplay |
| Writing | Marcus Dunstan | Screenplay |
| Production | Daniel J. Heffner | Executive Producer |
| Production | Stacey Testro | Executive Producer |
| Production | Peter Block | Executive Producer |
| Production | Jason Constantine | Executive Producer |
| Costume & Make-Up | Alex Kavanagh | Costume Design |
| Costume & Make-Up | Colin Penman | Key Makeup Artist |
| Sound | John Laing | Supervising Sound Editor |
| Sound | Jonathan McHugh | Music Supervisor |
| Directing | Steve Webb | First Assistant Director |
| Camera | Brian Gedge | Steadicam Operator |
| Editing | Andrew Coutts | Editor |
| Art | Anthony Ianni | Production Design |
| Sound | Paul Intson | Music Editor |
| Sound | Tom Bjelic | Sound Designer |
| Visual Effects | Jon Campfens | Visual Effects Supervisor |
| Visual Effects | Peter Denomme | Visual Effects Producer |
| Camera | Steve Wilkie | Still Photographer |
| Lighting | Robert McRae | Gaffer |
| Sound | Steve Baine | Foley |
| Art | Liesl Deslauriers | Set Decoration |
| Art | Elis Y. Lam | Art Direction |
| Sound | Allan Fung | Supervising Sound Editor |
| Directing | Elizabeth Tremblay | Script Supervisor |
| Sound | Clive Turner | Sound Effects Editor |
| Sound | Andrew Tay | Sound Re-Recording Mixer |
| Art | James R. Murray | Property Master |
| Sound | Keith Elliott | Sound Re-Recording Mixer |
| Camera | Tony Guerin | Camera Operator |
| Sound | Mark Zsifkovits | Sound Re-Recording Mixer |
| Editing | Peter Armstrong | Digital Intermediate |
| Costume & Make-Up | François Dagenais | Prosthetic Designer |
| Costume & Make-Up | Ciara Brennan | Assistant Costume Designer |
| Editing | Robert Doyle | First Assistant Editor |
| Costume & Make-Up | Stephanie Ingram | Key Hair Stylist |
| Production | Kaleigh Kavanagh | Associate Producer |
| Visual Effects | Rob Sanderson | Special Effects Supervisor |
| Production | Kym Crepin | Production Manager |
| Visual Effects | Beau Parsons | Visual Effects Coordinator |
| Camera | Monty Montgomerie | Key Grip |
| Lighting | Doug Reid | Best Boy Electric |
| Sound | Jonathan Platt | Music Supervisor |
| Sound | Dale Lennon | Dialogue Editor |
| Camera | Patrick King | Dolly Grip |
| Sound | Jonathan Scott Miller | Music Supervisor |
| Editing | Tom Mayclim | Digital Intermediate |
| Lighting | Mongo Andrews | Rigging Grip |
| Art | Alan Letts | Construction Coordinator |
| Editing | Lee Hughes | Digital Intermediate |
| Editing | Motassem Younes | Digital Intermediate |
| Lighting | Tim Lovell | Rigging Gaffer |
| Editing | Gary Brown | Digital Intermediate |
| Sound | Sean Paul Armstrong | Boom Operator |
| Camera | Angel Gonzalez | Camera Operator |
| Camera | Gary Bower | Dolly Grip |
| Lighting | Nigel Draper | Electrician |
| Lighting | Steve Ferrier | Electrician |
| Editing | Trevor Pickard | Digital Intermediate |
| Production | Troy Begnaud | Co-Producer |
