Adventurous filmmaker Carl Denham sets out to produce a motion picture unlike anything the world has seen before. Alongside his leading lady Ann Darrow and his first mate Jack Driscoll, they arrive on an island and discover a legendary creature said to be neither beast nor man. Denham captures the monster to be displayed on Broadway as King Kong, the eighth wonder of the world.
Unfortunately the movie King Kong is not yet available on Disney Plus.
| Production | Ernest B. Schoedsack | Producer |
| Sound | Max Steiner | Original Music Composer |
| Writing | Ruth Rose | Screenplay |
| Camera | Kenneth Peach | Director of Photography |
| Lighting | George Marquenie | Best Boy Electric |
| Camera | Ernest B. Schoedsack | Camera Operator |
| Editing | Ted Cheesman | Editor |
| Production | Walter Daniels | Producer |
| Writing | James Ashmore Creelman | Screenplay |
| Camera | Vernon L. Walker | Director of Photography |
| Camera | J.O. Taylor | Director of Photography |
| Production | David O. Selznick | Executive Producer |
| Camera | Edward Linden | Director of Photography |
| Directing | Ernest B. Schoedsack | Director |
| Directing | Merian C. Cooper | Director |
| Production | Merian C. Cooper | Producer |
| Art | John Cerisoli | Sculptor |
| Costume & Make-Up | Mel Berns | Makeup Supervisor |
| Crew | Harry Redmond Sr. | Special Effects |
| Writing | Merian C. Cooper | Idea |
| Crew | Harry Redmond Jr. | Special Effects |
| Writing | Leon Gordon | Writer |
| Sound | Richard Van Hessen | Boom Operator |
| Art | Carroll Clark | Art Direction |
| Crew | Frank D. Williams | Special Effects Technician |
| Art | Alfred Herman | Art Direction |
| Art | Ernest Smythe | Additional Storyboarding |
| Sound | Murray Spivack | Sound Effects |
| Art | Steve Rez | Paint Coordinator |
| Sound | Eddie Harman | Sound Recordist |
| Art | Van Nest Polglase | Supervising Art Director |
| Sound | Murray Spivack | Sound Designer |
| Art | Carroll Clark | Settings |
| Sound | Clem Portman | Sound Re-Recording Mixer |
| Writing | Edgar Wallace | Idea |
| Art | Alfred Herman | Settings |
| Camera | Ernest Bachrach | Still Photographer |
| Camera | Sam Redding | Key Grip |
| Costume & Make-Up | Walter Plunkett | Costume Design |
| Crew | Marcella Allen | Stunt Double |
| Camera | William H. Clothier | First Assistant "B" Camera |
| Crew | Lillian Jones | Stunt Double |
| Crew | Pauline Wagner | Stunt Double |
| Directing | Betty Goode | Script Supervisor |
| Crew | Duke Krantz | Pilot |
| Writing | Edgar Wallace | Story |
| Production | Fred Schuessler | Casting |
| Writing | Merian C. Cooper | Story |
| Art | George Gabe | Property Master |
| Sound | Harold E. Stine | Boom Operator |
| Camera | Bert Willis | First Assistant "A" Camera |
| Art | Thomas Little | Set Decoration |
| Costume & Make-Up | Dotha Hippe | Hairstylist |
| Directing | Walter Daniels | Assistant Director |
| Art | Carroll Clark | Production Design |
| Costume & Make-Up | Sam Kaufman | Makeup Artist |
| Directing | Doran Cox | Assistant Director |
| Directing | Ivan Thomas | Assistant Director |
| Crew | Aline Goodwin | Stunt Double |
| Sound | Earl A. Wolcott | Sound Recordist |
| Crew | Cherie May | Stunt Double |
| Art | Ray Moyer | Set Decoration |
| Crew | Judy Malcolm | Stunt Double |
| Crew | Buddy Mason | Stunt Double |
| Visual Effects | Willis H. O'Brien | Visual Effects |
