When a prostitute is found dead in a Los Angeles skyscraper occupied by a large Japanese corporation, detectives John Connor and Web Smith are called in to investigate. Although Connor has previous experience working in Japan, cultural differences make their progress difficult until a security disc showing the murder turns up. Close scrutiny proves the disc has been doctored, and the detectives realize they're dealing with a cover-up as well.
Unfortunately the movie Rising Sun is not yet available on Disney Plus.
| Sound | Toru Takemitsu | Original Music Composer |
| Camera | Michael Chapman | Director of Photography |
| Writing | Michael Crichton | Screenplay |
| Art | Angelo P. Graham | Art Direction |
| Writing | Michael Crichton | Novel |
| Writing | Michael Backes | Screenplay |
| Writing | Philip Kaufman | Screenplay |
| Production | Donna Isaacson | Casting |
| Editing | Stephen A. Rotter | Editor |
| Directing | Philip Kaufman | Director |
| Editing | William S. Scharf | Editor |
| Production | Peter Kaufman | Producer |
| Production | Sean Connery | Executive Producer |
| Production | Ian Bryce | Line Producer |
| Costume & Make-Up | Kim Santantonio | Hairstylist |
| Crew | Jeff Imada | Stunt Coordinator |
| Sound | Steve Bowerman | Boom Operator |
| Crew | Kevin E. Patterson | Cableman |
| Costume & Make-Up | Alison Gail Bixby | Key Costumer |
| Sound | David MacMillan | Sound Mixer |
| Costume & Make-Up | Bruce R. Hogard | Costume Supervisor |
| Costume & Make-Up | John Blake | Makeup Artist |
| Sound | Ann Kroeber | Sound Effects Editor |
| Production | Ian Bryce | Unit Production Manager |
| Art | Gary Fettis | Set Decoration |
| Camera | John T. Connor | Second Assistant Camera |
| Costume & Make-Up | Giorgio Armani | Wardrobe Designer |
| Editing | Robert Grahamjones | Assistant Editor |
| Art | Douglas T. Madison | Property Master |
| Costume & Make-Up | Gina Wingate | Key Costumer |
| Art | Peter J. Kelly | Set Designer |
| Camera | Michael Genne | Camera Operator |
| Costume & Make-Up | Alan Martin | Key Costumer |
| Sound | John Verbeck | Sound Effects Editor |
| Camera | Jamie Barber | First Assistant Camera |
| Camera | Nick Shuster | Camera Loader |
| Costume & Make-Up | Sue Love | Hairstylist |
| Sound | Frank E. Eulner | Sound Effects Editor |
| Directing | Frank Davis | Second Assistant Director |
| Art | Alex Tavoularis | Assistant Art Director |
| Costume & Make-Up | Ve Neill | Makeup Supervisor |
| Costume & Make-Up | Jacqueline West | Costume Design |
| Directing | Matthew Carlisle | First Assistant Director |
| Sound | Alan Splet | Sound Designer |
| Directing | Karen Golden | Script Supervisor |
| Costume & Make-Up | Yolanda Toussieng | Hair Supervisor |
| Art | Robert C. Goldstein | Set Designer |
| Editing | Tara Timpone | Assistant Editor |
| Art | James J. Murakami | Assistant Art Director |
| Crew | Jamie Kehoe | Craft Service |
| Lighting | Vincent Contarino | Best Boy Electric |
| Visual Effects | Larry L. Fuentes | Special Effects Supervisor |
| Camera | Charles W. Wayt | Dolly Grip |
| Production | Vicki Dee Rock | Production Accountant |
| Camera | Michael T. Travers | Best Boy Grip |
| Lighting | Frank Tobin | Best Boy Electric |
| Art | Don Kaeding | Leadman |
| Sound | Robert Shoup | Foley Supervisor |
| Production | Kimberly Jase | Post Production Accountant |
| Production | John Panzarella | Location Manager |
| Camera | Sandy Williams | Key Grip |
| Crew | Lee Garibaldi | Transportation Captain |
| Editing | Gary Burritt | Negative Cutter |
| Lighting | Jono Kouzouyan | Chief Lighting Technician |
| Lighting | Larry J. Aube | Key Rigging Grip |
| Sound | Alan Splet | Music Editor |
| Camera | Sidney Ray Baldwin | Still Photographer |
| Art | Greg Lynch | Leadman |
| Sound | Tom Johnson | Sound Re-Recording Mixer |
| Crew | Peter Haas | Unit Publicist |
| Lighting | R. Bruce Prochal | Rigging Gaffer |
| Sound | Teresa Eckton | Dialogue Editor |
| Directing | Lucille OuYang | Second Second Assistant Director |
| Crew | Tommy Tancharoen | Transportation Coordinator |
| Sound | Marian Wallace | Sound Re-Recording Mixer |
| Production | James McCabe | Location Manager |
| Sound | Dianna Stirpe | Dialogue Editor |
| Sound | Ewa Sztompke | Dialogue Editor |
| Sound | Dennie Thorpe | Foley Artist |
| Sound | Richard Beggs | Sound Re-Recording Mixer |
| Visual Effects | Gail Currey | Visual Effects Producer |
| Sound | Hugh Waddell | ADR Supervisor |
| Art | Francis N. 'Lucky' Costello | Standby Painter |
| Editing | Dennis McNeill | Color Timer |
| Art | John J. Rutchland Jr. | Construction Coordinator |
| Visual Effects | Mark A.Z. Dippé | Visual Effects Supervisor |
| Crew | Janet Brady | Stunts |
| Art | Dean Tavoularis | Production Design |
| Crew | Eugene Collier | Stunts |
| Crew | Dick Warlock | Stunts |
| Crew | Ronnie Rondell Jr. | Stunts |
| Crew | Jack Gill | Stunts |
| Crew | Roy K. Ogata | Stunts |
| Crew | Denney Pierce | Stunts |
| Crew | Buddy Joe Hooker | Stunts |
| Crew | Frank Ferrara Sr. | Stunts |
| Crew | Leo Lee | Stunts |