Major Murphy, a US Army Investigator, has received a new assignment. Sgt. Gammon is suspected of dealing cocaine from his base, and Murphy must gather enough evidence to shut down Gammon and his entire operation. Along with his partner, Lt. Andrews, the Major goes undercover to infiltrate the gang and find out just how far up the chain of command these activities are going.
Unfortunately the movie The Base is not yet available on Disney Plus.
| Directing | Mark L. Lester | Director |
| Writing | Hersh Rephun | Screenplay |
| Writing | Jeff Albert | Screenplay |
| Crew | Art Camacho | Stunts |
| Crew | Patrick J. Statham | Stunts |
| Crew | Eddie Perez | Stunts |
| Crew | Cole S. McKay | Stunts |
| Camera | Jacques Haitkin | Director of Photography |
| Crew | Richard L. Duran | Stunts |
| Crew | José Ignacio Álvarez | Stunts |
| Crew | Rudolf Weber | Stunts |
| Crew | Warren A. Stevens | Stunts |
| Crew | Mike Ceballos | Stunts |
| Crew | Jimmy Ortega | Stunts |
| Costume & Make-Up | Amanda Carroll | Key Makeup Artist |
| Art | Harley E. Hebert | Property Master |
| Art | Jenny Shimizu | Construction Coordinator |
| Sound | Susan Pusateri | Foley Artist |
| Sound | Paul Ratajczak | Supervising Sound Editor |
| Crew | Ken Wheatley | Special Effects Assistant |
| Lighting | Shane Buttle | Lighting Technician |
| Sound | Paul Zaza | Music |
| Crew | David Berlatsky | Post Production Supervisor |
| Camera | Charles Lenz | Best Boy Grip |
| Writing | William C. Martell | Writer |
| Art | Jeff Boyce | Leadman |
| Sound | Greg Louden | Foley Artist |
| Sound | Paul Ratajczak | Sound Re-Recording Mixer |
| Crew | Errol Sack | Special Effects Assistant |
| Art | Laine Abramson | Props |
| Sound | Bryan Franklin | Dialogue Editor |
| Sound | Greg Mauer | Foley Recordist |
| Crew | Chuck Borden | Stunt Coordinator |
| Camera | Dave Beeler | Grip |
| Camera | Skye Chandler | First Assistant Camera |
| Camera | Paul Janossy | First Assistant Camera |
| Art | Candi Guterres | Production Design |
| Art | Christine Irwin | Set Decoration |
| Costume & Make-Up | Caroline B. Marx | Costume Design |
| Costume & Make-Up | Kenneth Michael Beck | Key Hair Stylist |
| Production | Thomas Calabrese | Production Manager |
| Editing | Bryan M. Horne | Assistant Editor |
| Writing | Craig J. Nevius | Story |
| Camera | Igor Meglic | Second Unit Director of Photography |
| Directing | Thomas Burke | First Assistant Director |
| Art | Frank Lawas | Set Dresser |
| Sound | Jonathan Wales | Sound Re-Recording Mixer |
| Crew | Kevin Beauchamp | Special Effects Assistant |
| Editing | David Berlatsky | Editor |
| Production | Jeffrey Shepherd | Location Manager |
| Sound | Greg Mauer | Foley Editor |
| Costume & Make-Up | Suzan Kaminga | Assistant Hairstylist |
| Directing | Rebecca Levinson | Second Assistant Director |
| Sound | Michael Kreple | ADR Supervisor |
| Sound | Paul N.J. Ottosson | Sound Effects Editor |
| Writing | Eric Barker | Writer |
| Costume & Make-Up | Suzan Kaminga | Assistant Makeup Artist |
| Sound | Brian S. Tracy | Production Sound Mixer |
| Camera | Jason Andrew | Dolly Grip |
| Crew | Wayne Beauchamp | Special Effects Coordinator |
| Production | Dana Dubovsky | Producer |
| Production | Jeff Sackman | Executive Producer |
| Production | Mark Tillman | Casting |
| Sound | Brian McGowan | Boom Operator |
| Production | Mark L. Lester | Producer |
| Sound | Smith Craig | Sound Re-Recording Mixer |
| Directing | Monica Ochoa | Script Supervisor |
| Lighting | Mike Karasick | Gaffer |
| Lighting | Jason Popieniuck | Best Boy Electric |
| Camera | Alec Shepherd | Key Grip |
| Production | Brian R. Etting | Associate Producer |
| Production | Cheryl Shubin | Location Manager |
| Camera | Dale Robinette | Still Photographer |
