Bayron City -- a Mega-Float type city in the Pacific Ocean, which doesn't belong to any particular nation. As the mine for Orgonium, a new energy resource, this city is the most noticed in the world right now, and here special cases caused by demons called "D Hazards" has been occurring frequently. Only a handful of people know about the existence of D Hazards. They are handled by PMCs (Private Military Companies). Shu is a young man living in Bayron City who runs such a company, but his company is tiny. On top of that, he cherry-picks his jobs, so he is always in a bind for money. His life, both publicly and privately, is being supported by the beautiful high school girl Kisara who attends a school in Bayron City.
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| Title | Air Date | Duration | ||
|---|---|---|---|---|
| Season 1 | Episode 1 | A Loser and a Demon and a Man and a Woman | 2022-07-03 | min |
| Season 1 | Episode 2 | The Island of Desire | 2022-07-10 | min |
| Season 1 | Episode 3 | The Slightest Terrible Cost | 2022-07-17 | min |
| Season 1 | Episode 4 | Unobtainable Lingering | 2022-07-24 | min |
| Season 1 | Episode 5 | Fleeting Scars | 2022-07-31 | min |
| Season 1 | Episode 6 | Third-Party Demon Killer | 2022-08-07 | min |
| Season 1 | Episode 7 | But It's Okay, That's Enough | 2022-08-14 | min |
| Season 1 | Episode 8 | The Unwanted Truth | 2022-08-21 | min |
| Season 1 | Episode 9 | Without Understanding the Tears Shed | 2022-08-28 | min |
| Season 1 | Episode 10 | High Hopes for the Worst Case | 2022-09-04 | min |
| Season 1 | Episode 11 | Gentle Foolish Lies | 2022-09-11 | min |
| Season 1 | Episode 12 | Believe in Him | 2022-09-18 | min |
| Season 1 | Episode 13 | Unresolved Grand Finale | 2022-09-25 | min |
| Writing | Fumiaki Maruto | Series Composition |
| Directing | Tomonari Tanaka | Series Director |
| Sound | halca | Theme Song Performance |
| Visual Effects | Nanako Okazaki | Color Designer |
| Visual Effects | Masaaki Takiyama | Character Designer |
| Sound | Takeshi Takadera | Sound Director |
| Sound | Yoshiaki Fujisawa | Original Music Composer |
| Art | Nobuhisa Ogiso | Art Direction |
| Camera | Yohei Miyawaki | Director of Photography |
| Sound | Akari Nanawo | Theme Song Performance |
| Art | Tsunako | Original Series Design |
| Visual Effects | Sumika Saito | CGI Director |
| Visual Effects | Mizuho Kanda | CGI Director |
| Art | Shinpei Wada | Prop Designer |
| Editing | Kumiko Sakamoto | Editor |
| Visual Effects | Shinpei Wada | Creature Design |
| Sound | Shota Yaso | Sound Effects |
| Sound | Miyuki Sasaki | Foley Artist |
| Art | Ryusuke Kodera | Assistant Director of Photography |
| Sound | Koki Adaniya | Music Director |
| Sound | Erika Fukushima | Sound Mixer |
| Production | Kanako Tada | Producer |
| Production | Jun Katou | Production Supervisor |
| Production | Yuki Yamaoka | Associate Producer |
| Production | Tomoyuki Ohwada | Associate Producer |
| Production | Takehiro Nakakura | Producer |
| Visual Effects | Kenji Teraoka | Mechanical Designer |
| Production | Shinichiro Kashiwada | Production Supervisor |
| Production | Yoshito Hayano | Associate Producer |
| Production | Yutaka Kusuno | Associate Producer |
| Production | Shunsuke Nara | Producer |
| Sound | Masaharu Yamanouchi | Music Producer |
| Production | Sun Zhongzhen | Associate Producer |
| Production | Masanori Miyake | Executive Producer |
