An American with a Japanese upbringing, Chris Kenner is a police officer assigned to the Little Tokyo section of Los Angeles. Kenner is partnered with Johnny Murata, a Japanese-American who isn't in touch with his roots. Despite their differences, both men excel at martial arts, and utilize their formidable skills when they go up against Yoshida, a vicious yakuza drug dealer with ties to Kenner's past.
Unfortunately the movie Showdown in Little Tokyo is not yet available on Disney Plus. Follow us on Facebook to see when Showdown in Little Tokyo becomes available on Disney Plus!
| Crew | Fred C. Blau Jr. | Tattooist |
| Editing | Stuart Baird | Editor |
| Costume & Make-Up | Patrick Tatopoulos | Tattoo Designer |
| Camera | Mark Irwin | Director of Photography |
| Editing | Steven Kemper | Editor |
| Art | Craig Stearns | Production Design |
| Sound | Walter Goss | Sound Re-Recording Mixer |
| Editing | Robert A. Ferretti | Editor |
| Sound | David Michael Frank | Music |
| Camera | Eric J. Goldstein | Camera Operator |
| Sound | Eric J. Goldstein | Boom Operator |
| Editing | Jeff Gullo | First Assistant Editor |
| Directing | Mark L. Lester | Director |
| Production | Mark L. Lester | Producer |
| Art | David Elliott | Construction Coordinator |
| Production | John C. Broderick | Co-Producer |
| Sound | Jerry Trent | Foley |
| Crew | Larry Roberts | Special Effects Coordinator |
| Writing | Stephen Glantz | Screenplay |
| Production | Cathy Henderson | Casting |
| Sound | Frank Sacco | ADR Editor |
| Directing | Jules Stewart | Script Supervisor |
| Production | Michelle Guillermin | Casting |
| Sound | Joseph Holsen | Sound Effects Editor |
| Writing | Caliope Brattlestreet | Screenplay |
| Camera | Stephen Wong | First Assistant Camera |
| Costume & Make-Up | Michelle Vittone | Makeup Artist |
| Sound | Karola Storr | Foley Editor |
| Sound | Michael P. Redbourn | Sound Effects Editor |
| Sound | Robert L. Sephton | Sound Effects Editor |
| Lighting | Austin Goss | Gaffer |
| Art | Anthony Maccario | Property Master |
| Editing | Michael Eliot | Editor |
| Sound | Paul Heslin | Foley Editor |
| Sound | Michael Jiron | Sound Re-Recording Mixer |
| Crew | Nancy Hancock | Tattooist |
| Sound | Mike Le Mare | Sound Designer |
| Sound | Edmund J. Lachmann | Sound Effects Editor |
| Costume & Make-Up | Jeri Baker | Key Makeup Artist |
| Sound | Virginia S. Ellsworth | Music Editor |
| Camera | Monty Rowan | Camera Operator |
| Directing | Elizabeth Ludwick-Bax | Script Supervisor |
| Costume & Make-Up | Thomas Floutz | Prosthetic Makeup Artist |
| Costume & Make-Up | Robyn Williams | Costume Design |
| Art | Ellen Totleben | Set Decoration |
| Sound | Tom Beckert | Sound Re-Recording Mixer |
| Camera | James Sprattley | First Assistant Camera |
| Sound | Cynthia Haagens | Sound Effects Editor |
| Sound | Franklin Jones Jr. | Sound Re-Recording Mixer |
| Camera | Loren Corl | Key Grip |
| Production | Martin E. Caan | Producer |
| Art | Bill Rea | Art Direction |
| Art | William Maccario | Assistant Property Master |
| Art | Douy Swofford | Title Designer |
| Production | Jacque Allen | Casting |
| Camera | Keith Banks | Camera Operator |
| Camera | Gary Farr | Still Photographer |
| Camera | Rob Forrest | Dolly Grip |
| Crew | Rose Marie Echeverria | Special Effects |
| Sound | Jennifer Hortin | ADR Editor |
| Sound | Keith Gardner | Boom Operator |
| Sound | Asher Yates | Dialogue Editor |
| Sound | Audrey Trent | Foley |
| Sound | Mary Louise Rodgers | Foley |
| Sound | Michael Salvetta | Foley |
| Sound | Tom Scurry | Foley Editor |
