In the shadowy world of drone warfare, combat unfolds like a video game–only with real lives at stake. After six tours of duty, Air Force pilot Tom Egan now fights the Taliban from an air-conditioned bunker in the Nevada desert. But as he yearns to get back in the cockpit of a real plane and becomes increasingly troubled by the collateral damage he causes each time he pushes a button, Egan’s nerves—and his relationship with his wife—begin to unravel.
Unfortunately the movie Good Kill is not yet available on Disney Plus.
| Writing | Andrew Niccol | Writer |
| Directing | Andrew Niccol | Director |
| Production | Nicolas Chartier | Producer |
| Production | Jo Edna Boldin | Casting |
| Production | Mark Amin | Producer |
| Production | Hamid Ait Timaghrit | Casting |
| Production | Avy Kaufman | Casting |
| Art | Guy Barnes | Production Design |
| Directing | Jennifer Josephson | Script Supervisor |
| Production | Zev Foreman | Producer |
| Camera | Amir Mokri | Director of Photography |
| Editing | Zach Staenberg | Editor |
| Costume & Make-Up | Megan Daum | Hairstylist |
| Art | Wendy Ozols-Barnes | Set Decoration |
| Costume & Make-Up | Gretchen Bright | Makeup Department Head |
| Art | Brian Austin Wenrich | Art Department Coordinator |
| Costume & Make-Up | Liz Pecos | Set Costumer |
| Visual Effects | Craig Lyn | Visual Effects Supervisor |
| Lighting | Waylon Brady | Rigging Gaffer |
| Editing | Jonas Jangvad | Digital Intermediate |
| Visual Effects | Sebastian Leutner | Visual Effects Producer |
| Costume & Make-Up | Cassidy Zachary | Costume Supervisor |
| Camera | Daniel C. Gold | Camera Operator |
| Art | Robert Scoville | Art Direction |
| Editing | Anneli Oscarsson | Digital Intermediate |
| Editing | Stewart McAlpine | First Assistant Editor |
| Sound | Fernand Bos | Music Editor |
| Sound | Ethan Beigel | Sound Re-Recording Mixer |
| Costume & Make-Up | Lisa Jensen | Costume Design |
| Camera | Dylan Goss | Helicopter Camera |
| Visual Effects | Michael Wortmann | Visual Effects Supervisor |
| Costume & Make-Up | Mary Lampert | Hairstylist |
| Costume & Make-Up | Shaun Garcia | Set Costumer |
| Art | Rachid Quiat | Set Decoration |
| Lighting | Jay Kemp | Gaffer |
| Sound | Christophe Beck | Original Music Composer |
| Sound | Libby Umstead | Music Supervisor |
| Sound | Dana Sano | Music Supervisor |
| Production | Ryan Westheimer | Line Producer |
| Directing | Nicholas Mastandrea | First Assistant Director |
| Sound | Paul Longstaffe | Dialogue Editor |
| Production | Ahmed Abounouom | Production Manager |
| Costume & Make-Up | Navya La Shay | Makeup Artist |
| Crew | Larry Ferguson Jr. | Post Production Supervisor |
| Lighting | Driss Marzak | Gaffer |
| Crew | Gérard Lesage | Stunt Coordinator |
| Camera | Ian Hanna | Dolly Grip |
| Crew | Frédéric North | Aerial Coordinator |
| Costume & Make-Up | Bonnie Masoner | Makeup Artist |
| Production | Marjorie Ergas | Production Supervisor |
| Art | Greg Davidson | Leadman |
| Sound | Steven Willer | Boom Operator |
| Camera | James Swanson | Aerial Director of Photography |
| Costume & Make-Up | Reyna Robinson | Makeup Artist |
| Sound | Aaron Levy | Sound Re-Recording Mixer |
| Sound | Ryan Wassil | Foley Editor |
| Production | Andrew Niccol | Producer |
| Production | Dusty Dukatz | Production Supervisor |
| Art | Duprelon Tizdale | Greensman |
| Camera | Amir Mokri | Camera Operator |
| Crew | Ed Duran | Stunt Coordinator |
| Production | Melanie Kirk | Production Coordinator |
| Art | Kyle Cooper | Title Designer |
| Lighting | Mark Steinig | Rigging Grip |
| Costume & Make-Up | Jennifer Gingery | Key Costumer |
| Production | Christian Diaz de Bedoya | Location Manager |
| Camera | Kurt Kornemann | Key Grip |
| Visual Effects | Daniel Chavez | Visual Effects Producer |
| Art | Mark Hansen | Property Master |
