A week in the life of the exploited, child newspaper sellers in turn-of-the-century New York. When their publisher, Joseph Pulitzer, tries to squeeze a little more profit out of their labours, they organize a strike, only to be confronted with the Pulitzer's hard-ball tactics.
| Writing | Harvey Fierstein | Musical |
| Production | Thomas Schumacher | Producer |
| Camera | Andy Bethke | Camera Operator |
| Visual Effects | Chiara Zonca | Visual Effects |
| Writing | Jack Feldman | Musical |
| Writing | Alan Menken | Musical |
| Directing | Jeff Calhoun | Stage Director |
| Costume & Make-Up | Michele Arvizo | Hair Department Head |
| Camera | Johnny Ching | Camera Operator |
| Lighting | Jeff Croiter | Lighting Design |
| Production | Justin Huff | Casting |
| Production | Ron Paull | Unit Production Manager |
| Camera | Ambar Capoor | Camera Operator |
| Camera | Martyn Porter | Steadicam Operator |
| Camera | Pat Minietta | Camera Operator |
| Writing | Bob Tzudiker | Original Film Writer |
| Visual Effects | Yena Jeon | Visual Effects |
| Sound | Lee McCutcheon | Sound Mixer |
| Sound | Simon Hill | Sound Re-Recording Mixer |
| Sound | Patrick Roche | Sound Effects |
| Costume & Make-Up | Michele Arvizo | Makeup Department Head |
| Camera | Dylan Sanford | Camera Operator |
| Writing | Noni White | Original Film Writer |
| Editing | Marko Keser | Editor |
| Writing | David Nasaw | Novel |
| Production | Paul Morphos | Producer |
| Sound | Mark Hummel | Music Arranger |
| Sound | James Dodgson | Conductor |
| Camera | Mark Johnson | Camera Operator |
| Production | Anne Quart | Producer |
| Lighting | Clayton Jacobsen | Lighting Director |
| Production | Nicole K.L.N. Ebeo | Production Supervisor |
| Editing | Geoff Hockney | Colorist |
| Sound | Lee McCutcheon | Sound Supervisor |
| Art | Tobin Ost | Set Designer |
| Crew | Lou Castro | Associate Choreographer |
| Sound | Colle Bustin | Production Sound Mixer |
| Camera | Phillip Arceneaux | Camera Operator |
| Camera | Ted Ashton | Camera Operator |
| Production | Bernard Telsey | Casting |
| Directing | Richard J. Hinds | Assistant Director |
| Crew | Natalie Daniels-Browne | Post-Production Manager |
| Sound | Adam Scrivener | Sound Re-Recording Mixer |
| Production | Naomi Stevens | Producer |
| Costume & Make-Up | Charles G. LaPointe | Wig Designer |
| Editing | David Tregoning | Editor |
| Sound | John Miller | Music Coordinator |
| Sound | Paul Gatehouse | Sound Mixer |
| Sound | Patrick Roche | Foley |
| Sound | Michael Kosarin | Music Arranger |
| Camera | Joseph V. Cicio | Camera Operator |
| Directing | Brett Sullivan | Director |
| Crew | Christopher Gattelli | Choreographer |
| Sound | Danny Troob | Orchestrator |
| Costume & Make-Up | Jess Goldstein | Costume Design |
| Crew | J. Allen Suddeth | Fight Choreographer |
| Crew | Sven Ortel | Projection |
| Crew | Geoffrey Quart | Technical Supervisor |
| Sound | James Dodgson | Music Director |
| Crew | Daniel Brodie | Projection |
| Costume & Make-Up | Charles G. LaPointe | Hair Designer |
| Sound | Ken Travis | Sound Designer |
| Sound | Michael Kosarin | Music Supervisor |
