A burger-loving hit man, his philosophical partner, a drug-addled gangster's moll and a washed-up boxer converge in this sprawling, comedic crime caper. Their adventures unfurl in three stories that ingeniously trip back and forth in time.
Unfortunately the movie Pulp Fiction is not yet available on Disney Plus.
Camera | Andrzej Sekula | Director of Photography |
Art | Charles Collum | Art Direction |
Production | Michael Shamberg | Executive Producer |
Lighting | Vance Trussell | Gaffer |
Production | Paul Hellerman | Production Manager |
Editing | Sally Menke | Editor |
Production | Lawrence Bender | Producer |
Production | Gary M. Zuckerbrod | Casting |
Production | Danny DeVito | Executive Producer |
Production | Ronnie Yeskel | Casting |
Art | David Wasco | Production Design |
Writing | Quentin Tarantino | Screenplay |
Costume & Make-Up | Betsy Heimann | Costume Design |
Production | Stacey Sher | Executive Producer |
Art | Sandy Reynolds-Wasco | Set Decoration |
Production | Richard N. Gladstein | Co-Executive Producer |
Production | Bob Weinstein | Co-Executive Producer |
Sound | Karyn Rachtman | Music Supervisor |
Sound | Kathy Nelson | Music Supervisor |
Costume & Make-Up | Jacqueline Aronson | Costume Supervisor |
Crew | Ken Lesco | Stunt Coordinator |
Costume & Make-Up | Bill Fletcher | Wigmaker |
Camera | Ziad Doueiri | First Assistant Camera |
Lighting | Bruce Jagoda | Electrician |
Production | Jeff Olan | Casting |
Costume & Make-Up | Mary Claire Hannan | Assistant Costume Designer |
Costume & Make-Up | Patia Prouty | Set Costumer |
Crew | Jennifer Beals | Thanks |
Editing | Donald Likovich | Assistant Editor |
Production | Ruth Lambert | Casting Associate |
Costume & Make-Up | Audrey Futterman-Stern | Key Hair Stylist |
Crew | Heidi Vogel | Post Production Supervisor |
Costume & Make-Up | Michelle Bühler | Makeup Artist |
Editing | Mike Stanwick | Color Timer |
Sound | Dean Beville | Sound Editor |
Crew | Andrew Dickler | Editorial Staff |
Costume & Make-Up | Linda Arnold | Hairstylist |
Art | Daniel Bradford | Set Designer |
Costume & Make-Up | Joseph W. Grafmuller | Set Dressing Artist |
Crew | Derek Hurd | Craft Service |
Crew | Thomas L. Bellissimo | Makeup Effects |
Editing | Tatiana S. Riegel | First Assistant Editor |
Sound | Dana Gustafson | Assistant Sound Editor |
Art | Marc Gillson | Lead Painter |
Camera | Bob Gorelick | Steadicam Operator |
Crew | Cameron | Stunts |
Art | Brian Markey | Construction Coordinator |
Crew | Cameron | Stand In |
Production | Anna-Lisa Nilsson | Production Coordinator |
Crew | Gary L. Brennan | Carpenter |
Sound | Matthew C. Beville | Sound Recordist |
Art | Ray Maxwell | Construction Foreman |
Crew | Iain Jones | Set Production Assistant |
Lighting | Anthony Hall | Best Boy Electric |
Lighting | Marc Meisenheimer | Rigging Gaffer |
Sound | Stephen Hunter Flick | Supervising Sound Editor |
Crew | Ruben Cortez | Security |
Crew | Larry Fioritto | Special Effects Coordinator |
Costume & Make-Up | Iain Jones | Hair Designer |
Art | Jonathan R. Hodges | Property Master |
Art | Peter Borck | Leadman |
Camera | Michael Levine | Camera Operator |
Crew | Deborah Wuliger | Unit Publicist |
Art | Adam Silver | Location Scout |
Art | Giuseppe Maini III | Painter |
Camera | Chris Ahern | Grip |
Crew | Derek Raser | Transportation Coordinator |
Directing | Francis R. Mahony III | First Assistant Director |
Art | Samantha Gore | Assistant Art Director |
Crew | Alonzo Brown Jr. | Driver |
Sound | Rolf Johnson | Music Editor |
Sound | Ken King | Production Sound Mixer |
Art | Emily Wolfe | Art Department Coordinator |
Directing | Martin Kitrosser | Script Supervisor |
Sound | Larry Scharf | Boom Operator |
Crew | Ben Parker | Post Production Assistant |
Camera | Mark Shane Davis | Key Grip |
Crew | Emanuel Steward | Thanks |
Crew | Stephen Martines | Thanks |
Sound | Kristen Becht | Assistant Music Supervisor |
Crew | Rory Dauson | Stand In |
Crew | Lou Arkoff | Thanks |
Crew | Ricardo Mestres | Thanks |
Crew | Lee Stollman | Thanks |
Crew | Agnès B. | Thanks |
Crew | Linda R. Chen | Thanks |
Production | Harvey Weinstein | Co-Executive Producer |
Crew | Cathryn Jaymes | Thanks |
Sound | Billy Gottlieb | Assistant Music Supervisor |
Crew | Mike Simpson | Thanks |
Crew | Scott Spiegel | Thanks |
Crew | Bill Unger | Thanks |
Writing | Roger Avary | Story |
Writing | Quentin Tarantino | Story |
Production | Barbara Harris | ADR Voice Casting |
Sound | Catherine Rowe | Foley Artist |
Art | Liz Chiz | Assistant Decorator |
Art | John Felgate | Assistant Property Master |
Crew | Terry Jackson | Stunt Double |
Camera | Gregory C. Smith | Second Assistant Camera |
Production | Bradley Morris | Production Secretary |
Sound | Judee Flick | Supervising ADR Editor |
Camera | Robbie Meckler | Best Boy Grip |
Sound | Chuck Kelley | Music Consultant |
Crew | Chris L. Winslow | Charge Scenic Artist |
Lighting | Michael Stocks | Key Rigging Grip |
Art | Chris Cullen | Graphic Designer |
Production | Cheryl Cain | Assistant Production Coordinator |
Directing | Kelly Kiernan | Second Assistant Director |
Production | John A. Johnston | Assistant Location Manager |
Production | Zane | Assistant Accountant |
Sound | Jeff Courtie | ADR Mixer |
Production | Haley Sweet | Location Assistant |
Camera | Alan Parr | Dolly Grip |
Sound | Ezra Dweck | Foley Mixer |
Costume & Make-Up | Kristin Dangl | Costumer |
Directing | John W. Hyde Jr. | Second Second Assistant Director |
Crew | Kevin McTurk | Special Effects Assistant |
Production | Kara Mazzola | Post Production Coordinator |
Camera | Angelo de la Cruz | Camera Loader |
Crew | Michael Haddad | Assistant Craft Service |
Art | Steve Ingrassia | Swing |
Sound | Mary Ramos | Music Coordinator |
Directing | Quentin Tarantino | Director |
Crew | Kevin McTurk | Special Effects Technician |
Crew | Andrew Ambrose | Special Effects Assistant |