Following the death of his father, young Danny Madigan takes comfort in watching action movies featuring the indestructible Los Angeles cop Jack Slater. After being given a magic ticket by theater manager Nick, Danny is sucked into the screen and bonds with Slater. When evil fictional villain Benedict gets his hands on the ticket and enters the real world, Danny and Jack must follow and stop him.
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Art | Rick Heinrichs | Art Direction |
Directing | John McTiernan | Director |
Production | John McTiernan | Producer |
Production | Arnold Schwarzenegger | Executive Producer |
Writing | Shane Black | Screenplay |
Art | Cindy Carr | Set Decoration |
Production | Janet Hirshenson | Casting |
Production | Jane Jenkins | Casting |
Sound | Clayton Collins | Dialogue Editor |
Editing | Richard A. Harris | Editor |
Sound | Nicholas R. Allen | Boom Operator |
Costume & Make-Up | Jeff Dawn | Makeup Supervisor |
Camera | Dean Semler | Director of Photography |
Visual Effects | Tatiana S. Riegel | Visual Effects Assistant Editor |
Directing | Brian W. Cook | Assistant Director |
Directing | Brian W. Cook | First Assistant Director |
Editing | Frank J. Urioste | Editorial Consultant |
Sound | Michael Kamen | Original Music Composer |
Editing | John Wright | Editor |
Costume & Make-Up | Gloria Gresham | Costume Design |
Crew | Charlie Brewer | Stunt Double |
Sound | Zane D. Bruce | Foley Artist |
Directing | Bruce Moriarty | First Assistant Director |
Production | Robert E. Relyea | Co-Producer |
Visual Effects | Neil Krepela | Visual Effects Supervisor |
Crew | Vic Armstrong | Stunt Coordinator |
Directing | Vic Armstrong | Second Unit Director |
Crew | Thomas L. Fisher | Special Effects Coordinator |
Editing | Robert K. Lambert | Additional Editing |
Art | Jon Danniells | Leadman |
Writing | Zak Penn | Story |
Art | Mauro Borrelli | Production Illustrator |
Art | Marek Dobrowolski | Art Direction |
Directing | Richard Baratta | First Assistant Director |
Production | Stephen J. Roth | Producer |
Writing | Adam Leff | Story |
Writing | David Arnott | Screenplay |
Directing | Fred Waugh | Second Unit Director |
Directing | Newt Arnold | First Assistant Director |
Costume & Make-Up | P. Scott Bailey | Set Dressing Artist |
Crew | Michael Kehoe | Craft Service |
Visual Effects | Bret Mixon | Roto Supervisor |
Sound | Cindy Marty | Supervising Dialogue Editor |
Crew | Dick Ziker | Stunts |
Crew | Jeffrey D. Stevens | Set Medic |
Sound | Nerses Gezalyan | Foley Recordist |
Directing | Cellin Gluck | Second Assistant Director |
Production | William C. Gerrity | Unit Production Manager |
Art | Eugenio Zanetti | Production Design |
Art | Jim Dultz | Assistant Art Director |
Production | Katherine Kennedy | Production Office Coordinator |
Costume & Make-Up | Craig Lyman | Assistant Makeup Artist |
Directing | Carl Goldstein | Second Assistant Director |
Production | Jono Oliver | Trainee Production Coordinator |
Costume & Make-Up | Natalie Wood | Makeup Artist |
Crew | Doug Crawford | Carpenter |
Crew | Scott R. Fisher | Special Effects Assistant |
Visual Effects | Don Lee | Digital Compositors |
Sound | Lolita Ritmanis | Orchestrator |
Art | Stacey S. McIntosh | Construction Coordinator |
Crew | Miller Drake | Visual Effects Editor |
Sound | Jay Wilkinson | Supervising Sound Effects Editor |
Camera | Mark O'Kane | Steadicam Operator |
Sound | Jerry Ross | Supervising Sound Editor |
Sound | Bill W. Benton | Additional Sound Re-Recording Mixer |
Visual Effects | Christopher Nibley | VFX Director of Photography |
Lighting | Dwight Campbell | Chief Lighting Technician |
Production | Craig Sost | Production Manager |
Camera | Zade Rosenthal | Still Photographer |
Lighting | David Bartholomew | Electrician |
Crew | Laurel Klick | Digital Effects Supervisor |
Editing | Neil Greenberg | Assistant Editor |
Sound | David A. Arnold | Sound Effects Editor |
Art | Tommy Tomlinson | Property Master |
Costume & Make-Up | Peter Tothpal | Hairstylist |
Costume & Make-Up | Richard Snell | Contact Lens Designer |
Production | Robert H. Lemer | Location Manager |
Production | Robert H. Lemer | Associate Producer |
Visual Effects | Tricia Henry Ashford | Visual Effects Producer |
Crew | Gregory J. Barnett | Stunts |
Art | Joe Colwell | Sculptor |
Sound | Jerelyn J. Harding | ADR Editor |
Directing | Susan Malerstein | Script Supervisor |
Art | Walt Hadfield | Construction Foreman |
Sound | Christopher Brooks | Music Editor |
Production | Neal Nordlinger | Co-Producer |
Crew | Dieter Rauter | Stand In |
Directing | J. Ellen Evans | Script Supervisor |
Crew | Anthony G. Schmidt | Utility Stunts |
Sound | Lee Orloff | Production Sound Mixer |
Sound | Linda Folk | Foley Editor |
Lighting | Billy Kerwick | Key Rigging Grip |
Camera | Lee Blasingame | First Assistant Camera |
Visual Effects | Gray Marshall | 3D Animator |
Production | John DeSimone | Assistant Production Coordinator |
Production | Terry Dunn | Assistant Accountant |
Crew | Michael Sweeney | Post Production Supervisor |
Sound | Jeff Gomillion | ADR Mixer |
Crew | Michael Denering | Scenic Artist |
Crew | Harry Lu | Armorer |
Visual Effects | Jane Baer | Animation Supervisor |
Production | Susan Dukow | Production Coordinator |
Production | Maureen 'Mo' Crutchfield | First Assistant Accountant |
Camera | Douglas Ryan | Camera Operator |
Camera | Richard A. Kelley | Assistant Camera |
Camera | William 'Bear' Paul | Key Grip |
Crew | Pia Mehr | Studio Teachers |
Camera | Doug Cowden | Grip |
Directing | David Ticotin | Second Assistant Director |
Sound | David W. Alstadter | Foley Mixer |
Sound | Lauren Palmer | Supervising ADR Editor |
Sound | Catherine Calleson | Assistant Sound Editor |
Crew | Larissa Supplitt | Loader |
Camera | Sal Lanza | Dolly Grip |
Crew | George Zamora | Special Effects Technician |
Production | David Cooney | Art Department Production Assistant |
Production | Susanna Griffith | Casting Assistant |
Art | Peter J. Kelly | Set Designer |
Art | Randy Martens | Greensman |
Art | Sharon Barnebey | Painter |
Art | William Girod | Standby Painter |
Costume & Make-Up | Robert Chiu | Key Hair Stylist |
Costume & Make-Up | James Roberts | Set Costumer |
Crew | Carol Autenrieth | Driver |
Crew | Daniel W. Blaha | Propmaker |
Crew | Charles Montoya | Set Production Assistant |
Crew | Scot Deer | Telecine Colorist |
Crew | Donald R. Casella | Transportation Captain |
Crew | John Hager | Transportation Co-Captain |
Crew | Rebecca Bennett | Unit Publicist |
Crew | Douglas A. Degrazzio | Video Assist Operator |
Lighting | Peter John Petraglia | Best Boy Electric |
Lighting | Andrea Sachs | Gaffer |
Production | Diane Bandolas | Production Accountant |
Visual Effects | Linda Renaud | I/O Manager |
Visual Effects | Suzanne Pastor | Visual Effects Coordinator |
Visual Effects | Christer Hokanson | Visual Effects Production Assistant |
Art | William F. McLaughlin | Assistant Property Master |
Art | Craig T. Shordon | Decorator |
Costume & Make-Up | Michael Key | Makeup Artist |
Costume & Make-Up | Danna Edwards | Costumer |
Production | Liz Probst | Payroll Accountant |
Visual Effects | Michael Talarico | Visual Effects Camera |
Production | Joseph Aspromonti | Production Assistant |
Art | Sean Hood | Swing |
Art | Tamar Dick | Set Painter |
Sound | Linda Symcox | First Assistant Sound Editor |
Camera | Ronald Plant | Best Boy Grip |
Camera | Lisa J. Feitelberg | Second Assistant Camera |
Production | Jordana Kronen | Assistant Location Manager |
Crew | Craig Mizutari | Technical Advisor |
Directing | Dana J. Kuznetzkoff | Second Assistant Director |
Directing | Suzan Lowitz | Script Supervisor |